Self-portrait is one of the selected works in the present edition of the Biennale, featuring approximately 14,500 pill replicas arranged in flexible strips, arousing a sense of movement and interaction. This idea draws inspiration from my childhood memories, where everyday objects like bottle caps or corks were frequently used in homes to create curtains. These barriers, typically hung in doorways to protect against insects, separated indoor spaces from the outside world. The objective is to enable visitors to physically “pass through the work,” engaging with the art in a tangible and immersive way.
															
															
															
															The participation has been sponsored by Ramon Llull Institute.
On view until Jan. 18 at Museo de Aveiro/Santa Joana (Aveiro, Portugal).
Biennale catalogue link.